Poetry

31 January 2024

“This poem is a powerful expression of disorientation: the reachable language that comes when one is tired and one’s world has been altered by new life. There’s irony in the repetition of the advice refrain: “sleep when the baby sleeps,” and this irony straddles humor and exhaustion, a demonstrable absurdity of the upside-down-ness of new parenthood. The dashes as stanza breaks can be read as tick marks or time-markers, each representing a unit of time passed until the “we” become, in their sleepless existence, “radiant as stripped wire…shed absolutely everywhere.” “Sleep when the Baby Sleeps” is not just a poem but a reality set forth with language. If you listen, it ticks like a clock, like a life.”

-2022 Contest judge Kimberly Grey

Sleep When the Baby Sleeps

intoned like a prophecy    curse or omen sleep

when the baby sleeps


/


we’d need to.   we needed to

more than plates need washing

more than clothes need folding

& tucking into their clothes cribs


//


we knew this.   people saw the ink saddles

under our eyes & telegraphed

[cluck cluck] these two are impossible


must be sweeping floors again


///


oh no we were to sleep when the baby

would sleep like a baby—


except the baby would not sleep


////


Sleep When the Baby Sleeps.   lost play

by Pinter or Beckett in which no one sleeps


Baby is the village’s chef du sommeil


/////


monster movie law

means a lead vampire governs all other vampires

we would sleep when the lead vampire slept


//////


when the baby did not sleep

I missed the sound of a thumb

dragging a hum

from a clean lip of glass


//////

/


I moved in the light world


//////

//


put food in baskets not all choices made sense

fuck thee off bag of flour    god what

do you think you’re doing here


//////

///


how made to make work to bind

what would otherwise

collapse into a pool


//////

////


but so soft

so pillow soft.   to break a fall


I left & did not return

the shopping carts to their pens


//////

/////


we wakewalkers

raw & irredeemable


radiant as stripped wire parts of us

shed absolutely everywhere


//////

//////


Jen Jabaily-Blackburn was twice selected for Best New Poets (2014 & 2016). Her most recent work is forthcoming or has appeared in On the Seawall, Couplet Poetry, Indiana Review, Radar Poetry, The Common, and Massachusetts Review. She lives in Western Massachusetts with her family, where she is Program & Outreach coordinator at the Boutelle-Day Poetry Center at Smith College.